Let’s trace changes in embroidery techniques from the 14th to the 16th century by examining a popular biblical story. The scene of Noli me tangere (touch me not), in which Mary Magdalene visits the grave and finds it empty, is one of my favourite biblical scenes rendered in medieval embroidery. Read more
After having shown you a chasuble cross and a chasuble with outstanding medieval stumpwork, you might feel a little disappointed with this week’s chasuble from Domschatz Fritzlar. Although perhaps not immediately apparent, the embroidery, likely made around AD 1500 in Germany, is actually quite unique. It combines mass-produced standardised design Read more
Last week, we examined a medieval stumpwork chasuble cross from the Domschatzmuseum Chur in Switzerland. This week, I have a very special stumpwork chasuble for you, which is also on display at the Domschatzmuseum Chur. So far, scholars have mainly been interested in the pseudo-Arabic silk fabric of the chasuble. Read more
Last year, whilst on my way to visit my friend Sister M. Chiara, I stumbled upon some lovely medieval stumpwork at the Domschatzmuseum in Chur, Switzerland. Until then, I had no idea that these pieces existed. Late medieval stumpwork is a lot less rare than most people think. However, as Read more
In this medieval embroidery tutorial, I will show you how to recreate the lovely female face with the big braids as seen on this 15th-century chasuble. You will practice silk embroidery, padding and beading when recreating this lovely beaded stumpwork portrait of a female saint. Whilst working the medieval embroidery Read more
Today, I am going to introduce you to a body of medieval goldwork spread across several museums. Two pieces are still housed in the cathedrals where they were used. The third piece is, or was, part of the Keir collection. Its current whereabouts are unknown. I first came across this Read more
The Saint Stefano church, one of the churches of the seven-churches complex in Bologna, houses a spectacular mitre with pearl embroidery from the second quarter of the 14th century. The iconography is not your average Christian fare, featuring dragons, birds, and lion masks amid foliage. It is, in fact, so Read more