Category: Opus


  • Opus Romanum: medieval goldwork embroidery from Rome?

    This week, we will look at an Opus romanum antependium from the late 13th century kept in the Cathedral treasury of Anagni, Italy. Just like with the Opus cyprense goldwork embroideries from last week, their provenance isn’t as clear-cut as the name Opus romanum suggests. This antependium was never historically referred to as Opus romanum.…

  • Opus Cyprense: Medieval Goldwork Embroidery from Cyprus?

    Where does Opus cyprense medieval goldwork embroidery come from? Simple question, right? After all, Opus anglicanum comes from England, and Opus teutonicum comes from Germany. Thus, Opus cyprense should come from Cyprus! Maybe. Medieval and later church inventories do mention vestments as being Opus cyprense. However, there has been relatively little research conducted on the…

  • Opus anglicanum: the early 14th century Bologna Cope

    Last year, I spent many delightful hours studying the Bologna Cope at the Museo Civico Medievale in Bologna, Italy. This Opus anglicanum cope was made in England between AD 1310 and 1320. The cope was also displayed at the epic Opus anglicanum exhibition in the V&A in 2016/2017. Although the cope is missing its hood,…

  • Opus anglicanum: the late 13th century Vatican Cope

    Several Italian museums hold Opus anglicanum embroidered vestments. On the one hand, this is a testament to Opus anglicanum being hugely popular with European clergy in the 13th and 14th centuries. However, it was also the result of the Italians remaining Catholic and England going through the destructions of the Reformation. Some of these splendidly…

  • Medieval Goldwork from Tuscany: stunning orphreys

    We continue our exploration of medieval goldwork from Tuscany with a couple of stunning orphreys. One is kept in a museum, one in a Cathedral, and the third is in a private collection. In 2019, they were displayed side by side in Castello Buonconsiglio. All three are of exceptional quality, both in design and embroidery…

  • Medieval Goldwork from Tuscany: the Coronation of the Virgin

    Last week, we examined the vestments made for Pope Nicholas V. Today, we continue our explorations of medieval goldwork from Tuscany, Italy with a cope hood made in Florence in the first quarter of the 16th century. The design of the Coronation of the Virgin is attributed to Sandro Botticelli (AD 1445-1510). Whether this means…

  • Opus anglicanum: St Nicholas Dalmatic

    A couple of weeks ago, I was fortunate enough to finally visit the Cathedral Treasury of Anagni near Rome, Italy. The treasury houses several pieces of Opus anglicanum, not only the namesake cope. One of these pieces is the chasuble, which you can see below. However, this vestment started life as a dalmatic. It was…

  • Tutorial: Underside Couching versus Brick Stitch

    Last week, I discussed some Opus anglicanum pieces that show underside couched silk worked in a brick pattern. I wondered what the benefits were of using underside couching instead of traditional brick stitch. As I had done underside couching with a metal thread before, I imagined that underside couching with silk would be equally slow and cumbersome.…

  • The Syon Cope: underside couched silk in Opus anglicanum

    While researching the grave finds of some of these bishops and kings, I also came across other small embroidered pieces that piqued my curiosity. When we think of Opus anglicanum, we think of underside couched gold threads. However, the embroiderers also underside couched silk. The most famous example is the Syon cope. The background consists entirely of…

  • The Bishop’s Stockings (buskins/caligae) part II

    Last week, we looked at three pairs of stockings from two kings and a bishop. The oldest pair dated to the 11th century, and the other two were from the late 12th century. This week, we will look at the grave finds of three bishops who lived in the 13th century. First up are the…