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Medieval Splendour in gold thread and silk
The Acupictrix, alias Dr Jessica Grimm, writes a weekly blog on medieval goldwork embroidery and related topics.
Dr Jessica Grimm is a member of Centre International d’Etude des Textiles Ancienes (CIETA), Bundesverband Kunsthandwerk, MEDATS and S.E.W.
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Opus anglicanum: the early 14th century Bologna Cope
Last year, I spent many delightful hours studying the Bologna Cope at the Museo Civico Medievale in Bologna, Italy. This Opus anglicanum cope was made in England between AD 1310 and 1320. The cope was also displayed at the epic Opus anglicanum exhibition in the V&A in 2016/2017.… Read More
Opus anglicanum: the late 13th century Vatican Cope
Several Italian museums hold Opus anglicanum embroidered vestments. On the one hand, this is a testament to Opus anglicanum being hugely popular with European clergy in the 13th and 14th centuries. However, it was also the result of the Italians remaining Catholic and England going through the destructions… Read More
Goldwork Tutorial: Padded Brick Couching inspired by Tuscany
This goldwork tutorial shows you how to make a simple padded background for your goldwork or stumpwork embroidery. We saw this technique on the cope hood from Tuscany made in the first quarter of the 16th century. The method produces a nicely textured and firm background. It would… Read More
Medieval Goldwork from Tuscany: stunning orphreys
We continue our exploration of medieval goldwork from Tuscany with a couple of stunning orphreys. One is kept in a museum, one in a Cathedral, and the third is in a private collection. In 2019, they were displayed side by side in Castello Buonconsiglio. All three are of… Read More
Medieval Goldwork from Tuscany: the Coronation of the Virgin
Last week, we examined the vestments made for Pope Nicholas V. Today, we continue our explorations of medieval goldwork from Tuscany, Italy with a cope hood made in Florence in the first quarter of the 16th century. The design of the Coronation of the Virgin is attributed to… Read More