Literature List Lesson 3

Baxter, P., 2008. Sarum Use: The ancient customs of Salisbury. Spire Books, Reading.

Bentham, T., 2021. Opus Anglicanum: A practical guide. Crowood, Marlborough.

Browne, C., Davies, G., Michael, M.A. (Eds.), 2016. English Medieval Embroidery: Opus Anglicanum. Yale University Press, New Haven.

Calonder, N., Woś-Jucker, A., 2008. Conservation of the cope of Bishop Ramon de Bellera. Quaderns del Museu Episcopal de Vic 2, 83–99.

Carmignani, M., 2019. Ricami ecclesiastici del Rinascimento, in: Prá, L. Dal, Carmignani, M., Peri, P. (Eds.), Fili d’oro e dipinti di seta. Velluti e ricami tra Gotico e Rinascimento. Castello del Buonconsiglio, Trento, pp. 30–41.

Davies, G., 2016. Embroiderers and the embroidery trade, in: Browne, C., Davies, G., Michael, M.A. (Eds.), English Medieval Embroidery: Opus Anglicanum. Yale University Press, New Haven, pp. 40–47.

Descatoire, C. (Ed.), 2019. L’art en broderie au moyen âge: Autour des collections du musée de Cluny. Musée Cluny, Paris.

Gardner, J., 2016. Opus Anglicanum and its medieval patrons, in: Browne, C., Davies, G., Michael, M.A. (Eds.), English Medieval Embroidery: Opus Anglicanum. Yale University Press, New Haven, pp. 48–59.

Heard, K., 2016. Ecclesiastical embroidery in England from 1350 to the Reformation, in: Browne, C., Davies, G., Michael, M.A. (Eds.), English Medieval Embroidery: Opus Anglicanum. Yale University Press, New Haven, pp. 76–89.

Hourihane, C., 2016. The development of the medieval English pall, in: Michael, M.A. (Ed.), The age of Opus Anglicanum. Studies in English medieval embroidery 1. Harvey Miller, London, pp. 146–185.

Kent Lancaster, R., 1972. Artists, Suppliers and Clerks: The Human Factors in the Art Patronage of King Henry III. Journal of the Warburg and Courtauld Institutes 35, 81–107.

Michael, M.A., 2022. The cultural context of the Bologna cope: The design and production of Opus Anglicanum liturgical vestments in England, in: Michael, M.A. (Ed.), The Bologna Cope. Patronage, iconography, history and conservation. Studies in English medieval embroidery II. Harvey Miller, London, pp. 36–61.

Miller, M.C., 2014. Clothing the clergy: Virtue and power in Medieval Europe, c. 800-1200. Cornell University Press, London.

Monnas, L., 2016a. Embroideries for Edward III, in: Michael, M.A. (Ed.), The age of Opus Anglicanum. Studies in English medieval embroidery 1. Harvey Miller, London, pp. 36–73.

Monnas, L., 2016b. The making of medieval embroidery, in: Browne, C., Davies, G., Michael, M.A. (Eds.), English Medieval Embroidery: Opus Anglicanum. Yale University Press, New Haven, pp. 7–23.

Morgan, N., 2016. Embroidered textiles in the service of the church, in: Browne, C., Davies, G., Michael, M.A. (Eds.), English Medieval Embroidery: Opus Anglicanum. Yale University Press, New Haven, pp. 24–39.

Mortari, L., 1963. Il Tresoro della Cattedrale di Anagni. De Luca Editore, Rome.

Riley, H., 1868. Memorials of London and London Life in the XIIIth, XIVth and XVth Centuries. Longmans, London.

Stolleis, K., 2001. Messgewänder aus deutschen Kirchenschätzen vom Mittelalter bis zur Gegenwart: Geschichte, Form und Material. Schnell & Steiner, Regensburg.

Sutton, A., 1982. Martin Jumbarde, an Embroiderer of Goods for Edward IV, Richard III and Henry VII. The Ricardian 6, 50–53.

Wetter, E., 2016. England and Central Europe: parallel developments and exchange after 1350, in: Browne, C., Davies, G., Michael, M.A. (Eds.), English Medieval Embroidery: Opus Anglicanum. Yale University Press, New Haven, pp. 90–103.