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In the 80s, we had an art historian in the Netherlands who started to systematically trawl through historical records to find late medieval and early modern embroiderers and embroidery guilds. She published a couple of great articles on the topic. However, the large overview publication she promised in her 1987 article never saw the light…
Last week, we looked at five different embroidered versions of the same Adoration of the Magi design. By changing materials and embroidery techniques, these late 15th and early 16th century embroideries look quite different from each other. The scene was part of four chasubles and a loose chasuble cross. But what about the other scenes…
If you have followed this blog for a while, you already know that medieval goldwork embroidery was mass-produced. The designs were used more than once, sometimes even on the same vestment. Survived have mainly the simpler single-figure orphreys or the, possibly block-printed, naive embroidered scenes from Germany. But that’s not all. Even very complex scenes…
Last week, I wrote about the embroidered late medieval vestments on display in the St Nicolai Church in Kalkar. We looked in depth at the richly embroidered chasuble donated by Wolter van Riswick in AD 1530. This week, we’ll examine a splendidly embroidered cope and dalmatic, also kept in the church in Kalkar. These vestments…